The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
2021.10.3 来新开的奥体印象城的cgv来看 在大众抢的1元券不要太值！这个cgv也挺厉害有杜比 杭州三家cgv要么是IMAX要么是杜比是真厉害..还有公交过的居然是新开的博奥隧道！头次来 其实挺搞笑的是CGV是韩国CJ娱乐旗下的 一直禁韩流但是能增加gdp的就不禁 唉 居然还不错 不愧是大头是美国做的啊 这技术显然不一般 动画做的美轮美奂 虽然我中间睡着了一会 但显然这是国庆档最好看的动画片了 而且这个菲拉萌确实好萌啊。。萌翻了简直 但没想到那只小狗居然是反派 就是拯救自己的世界 让自己免于灭绝的故事
该片旨在通过案件当事人现身说法，法律专家以案说法的方式，让广大师生家长接受法制教育，使全体学生在潜移默化中养成“敬廉崇洁、诚信守法、勤俭节约”的道德观念，树立正确的世界观、人生观、价值观，积极构建学校、家庭、社会＂三位一体”的廉政教育网络。
我觉得可以7分吧，剧中的各种造型很加分，小白的反转也有点意外，最后结尾还是蛮刺激，是适合小朋友和大人的喜剧，国庆嗨翻天就ok了。缺点是中文翻译有太多网络词，违和，显得无聊了。
但是跟寻梦环游记真是没法比
主要是后面好多都睡过去了。。有些小梗还可以，皮特也太惨了
反正就是好快乐，看了会心情变好的那种！
中文也很好玩啊：o妹儿o妹儿，这个儿化就很有灵性了。
金发的皮特，真是最大的惊喜且搞笑。
首先不知道中间有个洞的萌点在哪儿。小白莫名地黑化，不知为啥非要搞个坏蛋。如果没有正邪对立，能值五星……
小朋友们在嬉笑间还可以学很多历史文化知识，比如：达尔文提出了进化学说、1417年郑和下西洋、1735年乾隆登基……
总的来说，作为一部搞笑向的动画电影，质量也是蛮可以的，主角两兄妹用时间花环游世界的那个桥段也是特别刺激，反转也是让人震惊
没有疼痛到我的原因绝对是犯罪和暴力情节特别莫名其妙吧，男主角真的跟白活了一样。
故事剧情很老套，两位主演都演过类似的角色没什么新意，但是小笑点很多且不尴尬，不要深究逻辑和细节，挺放松的喜剧爆米花电影
陪女儿一起看，虽然是国产出品，但是很明显的美式动画风格。不是贬义，至少下限不会很烂，不像国产幼儿动画，烂的可以无底线。
鉴定为工业垃圾
小孩子看看挺好的，这个应该是国外团队做的吧，有些笑点还是挺有创意的。那个刀插进身体中间是笑到我了
菲拉萌的设定还挺可爱 感觉好适合小朋友看 就可可爱爱的那种🥺
错误的开始 错误的结束 或许男孩是比女孩更成熟一点
第一次带娃在电影院看动画片，意外的大人也能获得快乐。暗藏的梗希望宝宝有天也能看懂❤️
最好看的就是钱老板的肉，光屁股丨@ Pathé De Kuip, 14 Apr 2022
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