Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
医生那一段特效画面特别美然后其余的...嗯老实说，作为原著党都差点没看懂... 另，情怀加一星
自己的状态没能好好地投入地看这个电影，但是觉得bgm很好诶！听摇滚在海边跳舞🤘🏻
美式偶像小甜剧 让我意识到我真是个仍然爱追求浪漫的人 虽然很多时候活的太现实把我也想遇到夏天一起骑车奔跑追梦的人 海里接吻好美 男主挺帅的女主很清新
夜泳和海滩聚会的环节是有点浪漫在的。所以说大部分青春爱情故事都是换汤不换药，然后换容器。总要有一两个高光情节。
过于适合疫情下stuck at home的人观看
总算看了，怎么说……其实FGO相关的各部动画化都挺拉垮的，最大的毛病就是节奏怪异，以及配乐使用不当，该燃该感动的时候却长时间留白，我寻思着你型月也不是没钱吧（）这部也是同样的问题，明明无脑燃一波都比现在这个好，声优都舍不得用吗)偏偏加一大堆无聊的嘴炮……游戏里看字还好，放动画里真的挺烦的（而且造成情绪断层）。不过有些画面还是做得挺好，一个已经半出坑的老马斯塔鼻子酸酸的，真舍不得国服号。。（喜欢幼帝和医生所罗门ver的部分，太美丽了我的妻子，，，）最后的王の锐评和肉搏对拳我真的笑了
为什么被改编成了动画就迷之尴尬，不懂，过度煽情了，这个只有罗马尼消失的世界。
Best summer movie of the year.
有点难受的就是我的双枪老太婆从头到尾没说一句话😭
Vans广告大电影版 其实还不赖啦 就是个甜甜的夏日crush小故事 男女主的互动充满了暗恋的拉扯和点到为止 好莱坞亲密戏审美疲劳之后看到这样的画面还是挺惊喜的 ps：再听一次Vally accent我真的会想鲨人
不如推主线的时候震撼，CV烧钱所以集体哑巴我真的是……BGM你支棱起来啊BGM！！反倒是ED结束后的那段对话很有张力，罗玛尼我的罗玛尼……呜呜呜……
没有请声优弥漫着贫穷的气息……画面还不错，看多少次都还是觉得小茄子好感动呀❤没有小茄子的世界拯救了又有什么意义！
被译名吸引来，还挺不错的，对于“换个地方”“寻找自我”这些事情还有敬意与思考
真的给我逗乐了，纯纯游戏玩家限定片，但还比不上ppt游戏本身的表现力，情怀三星了。
又是量身为我挑选的电影 本来以为是电视剧/ 和父母和解 和自己的执念和解/ 能move on做自己真是太开心啦
summer！summer！童话般的青春片，释放感和快乐感很强。
三星全给情怀。这个剧场版做的真是让我一言难尽，出场的英灵就几个有台词，活动剧情的英灵全被删了（伯爵你笑几声啊）；盖总毫无压迫感；医生的牺牲也毫无感染力；人王跟咕哒的打斗给我看笑了，活生生的icu病友互殴。
可能就没想让游戏玩家以外的人看懂，看了一半跑了。人物的简笔画和触手写实画风超割裂，出来一大堆人像立绘一样一言不发，就只配手机屏幕看。游戏玩家好惨，氪金那么多还只能看这种#109 cinema
这个最终章做成剧场版难度太高了，要么能让我嗨，让我看到能动的老婆爽，要么就把剧情好好打磨，结果这个宝具展开做的一言难尽，这就得堆料啊，这该燃的地方不燃，剧情么又塞不下，gay提亚还要念设定，很扫兴，价值拉的又那么高，“人理”没表述明白，最后落到爱，很干。承认一点，最终章单独放出来，没铺垫没前戏，是真的难拍，全考验粉丝自嗨。
有第七章动画的珠玉在前，这个收尾显得更加崩了。
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